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The Last Two Weekends with Master Choi
by Ray Hayward

(This article originally appeared in Wudang, Vol. 13, No. 1)

Thanksgiving weekend, 2004 was the tenth Thanksgiving weekend of eleven consecutive years I spent studying with Master Wai-Lun Choi at his school in Chicago. The weather was dark and dreary when Paul Abdella and I arrived at Master Choi’s studio in the Lincoln Park area of Chicago, foreshadowing the weekend ahead. We were greeted at the door by a smiling Master Choi, but we could see he was sick and not feeling good. After the usual pleasantries and greetings, Master Choi told us his health was failing and that he couldn’t eat anything because he was developing allergies to everything. This set the mood for a melancholy and depressing weekend. We knew retirement was coming soon for Master Choi, but this decline in health made him decide to retire in the spring. This weekend was turning out to be the conclusion of many lessons and paths. Paul finished the Main Form of Liu Ho Pa Fa which he started seven years earlier. I finished Master Choi’s T’ai-Chi Form. And Master Choi was finishing over thirty years of public teaching. The end of an era had come.

Wanting to capture and catalogue as much as I could, I asked Master Choi if I could take photos of both levels of his studio. He looked at me and said, “You do what you want. Consider this your school.” Used to many hours of classes, we were sad to have Master Choi stop to rest after only an hour or so. Because of his stomach problems, we didn’t get to take him to our favorite Chinese restaurant for a meal.

In spite of poor health, Master Choi gave us some great lessons. Concerning meditation he said a simple meditation technique is, “Don’t forget—don’t focus.” He quoted a Classic that says, “Outside calm, but there is something inside.” He told us that “something” is your meditation technique. He reminded us that, “The Classics are the headlines. You still need face-to-face time with the teacher to learn how to do it—to get the story.”

Looking back on thirty years of teaching for a living, Master Choi gave us insights into two negative experiences he had with students over the years. He told us about the Chinese phrase “Mo Dai, Mo Sai.” Mo Dai means “No High.” Mo Sai means “No Low.” Master Choi lamented the lack of respect shown to teachers by students and the need for students to be friends, or on the same level, as the teacher. He said this makes it hard to teach and to learn. He also quoted the founder of Yi-Ch’uan, Master Wong Hong-Chai, “Smart people have no patience (to learn Martial Arts), dumb people can’t get it, so both quit,” and said he has now had this experience.

In the midst of this gloomy weekend, I was taught the liberating essence of the Spear, a weapon I have been studying and practicing for over twenty-five years. Master Choi also said, “Ask for whatever you want.” I had nothing to lose so I asked for his teacher, Master Chan Yik-Yan’s secret Bruise Juice formula (Dit Da Jow), which he brought the next day. He also said one of the funniest things I had heard from him. He was talking about meeting a Northern Chinese person (Master Choi is from the south), he said, “They speak Mandarin, I speak Cantonese. It was like a chicken talking with a duck.” As we were preparing to leave, Master Choi must have seen our sadness, because he said, “Remember, a tiger is still a tiger even if he’s hurt.”

Master Choi set May 1, 2005 as his retirement. He had some equipment for us so we decided to travel to Chicago in April to pick up the equipment and to take a few last private classes. As we walked up to the door and entered Master Choi’s studio, we were surprised to find him watching a boxing match on TV and dancing around on his toes shadow-boxing like a spry 20-year old!! Greeting us with a big smile and hearty handshakes, the transformation from our last visit was miraculous. Here before us was the Grandmaster we know, energetic, happy, powerful, and lively. I was shocked and had to ask him what he was doing over the past five months. He said he had been “continuously practicing standing meditation to improve my health.” I felt Master Choi was more peaceful, energetic and happier than I had ever seen him. We trained with him for hours on end until we had to ask to stop to get something to eat. We once again went to Chinatown for a meal and good conversation.

This weekend was full of light, in contrast to the darkness of Thanksgiving weekend. Master Choi pulled out all the stops and gave us lessons from his more than thirty years of teaching. He gave us lessons on self-defense, kick attacks and defenses, throws and ch’in-na. At one point he threw me so fast and hard, that when I got up from the mat I was dizzy. About the ch’in-na, or joint-locks, he gave this wonderful insight, “When you use the ch’in-na techniques, you have to look ahead like playing Chess, this move goes to this move, etc. Give the opponent no time to fight back. Plan two moves ahead, just like a play in Chess. There are many ideas, that’s why you have to learn all the methods and techniques, then you have to apply them for different situations. The basic idea is you control the person to slow them down.”

He gave us the essence of the Lama-style and of Thai kick-boxing, “Lama is like fighting a crab. If you get rid of the claws: no problem. Lama tries to hit and hurt the opponent’s hands and legs.” And, “Thai kick-boxing has the hands block the hands and the legs block the legs. That’s a good idea, but even a leg block can get broken.” Master Choi also told us the official name of the “Embrace the Moon” standing posture is Wan Yuen Chong–“Combined System Post.” He also gave us advice on training with the heavy punching bag, “If you think the bag is heavy, you will tense up. Internal styles should punch cotton.”

I asked Master Choi what he planned for the future. He told us he wants to research the highest level of meditation. He reminded us that “the highest level is about using meditation to get the Internal Power out. Body Power (Lik) is not power. 9 joints united plus the mind is power (Ging).” He also wants to produce instructional DVDs, write explanations about the Classics, and teach a few students privately. As we were leaving a most profound weekend I told Master Choi that I left Thanksgiving weekend feeling sad for him, but this time I feel sad for myself.

Master Choi smiled and said, “No party lasts forever.”

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